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Frankenstein, titre manuscrit

Frankenstein’s monster has become so famous that its form and features have engulfed those of its creators - firstly the protagonist, the Swiss scholar Victor Frankenstein, and secondly the author of the novel herself, Mary Shelley. He dominates to such an extent that the name Frankenstein is often mistakenly attributed to the monster resurrected from the dead, a formidable reputation which has lasted for over two centuries.

No one could have imagined that these three hundred pages, written in two large notebooks and kept at the prestigious Bodleian Library in Oxford since 2004, would have had such a significant influence on the worlds of literature, cinema, theatre and the arts. For a novel which was published anonymously in only 500 copies on 1 January 1818, the book has been adapted and retold too many times to count.

The text was first attributed to the poet Percy Bysshe Shelley - likely because he wrote the preface to the first edition.

It was the summer of 1816. Aged 18, Mary Wollstonecraft Godwin was holidaying on the shores of Lake Geneva in Switzerland, accompanied by her future husband, Percy Shelley, her step-sister Claire Clairmont and some friends, the poet Lord Byron and Italian doctor John Polidori. They were staying at the splendid Villa Diodati, rented by Byron in Cologny near Geneva. The setting should have been perfect for a group of young people who delighted in each other's company. However, the cold and dreary weather betrayed them, and they were forced to remain locked up for days in the villa.

They amused themselves by discussing the ideas of Erasmus Darwin - grandfather of Charles Darwin - and by reading ghost stories from the book Fantasmagoriana, ou Recueil d'histoires d'apparitions de spectres, revenans, fantômes, etc. (Anthology of stories of apparitions of spectres, revenants, phantoms, etc.)

In need of entertainment during one stormy evening, Lord Byron proposed they should “each write a ghost story”, and determine who could come up with the best one.

The group were galvanised by the contest: Byron himself wrote a fragment of what would become the basis for John Polidori’s novel The Vampyre - published three years later in The New Monthly Magazine. We can assume that Percy also joined in, having at this point gained recognition in the literary world as a poet and recently released one of his major poems, ‘Alastor, or The Spirit of Solitude’. His fiancée, Mary, also set her mind to writing a blood-chilling tale. She set to work, without the knowledge that her novel would gain a cult following, inspiring generations of readers, writers and directors.

It is hard to imagine what would have been running through her mind, having just run away from home at an early age in the company of her lover, a man preceded by a scandalous reputation.

Did she want to impress him? Did she take part in the contest for fun or to satisfy an appetite for literature, or was it both? Mary had enjoyed a fairly extensive intellectual upbringing at the hands of her father.

Frankenstein would draw on her knowledge of several genres: gothic, fantasy and horror. Her story encapsulates diverse themes, including the myth of Prometheus and scientific progress. It’s possible that she also drew from her personal experience: some scholars believe that the core concept of Frankenstein, namely the ability to bring dead matter back to life, came to Mary through a personal tragedy, the loss of her child at seven months old which had occurred only several months before writing.

The novelist deployed all of her elegance and skill to produce a character that creates equal parts repulsion and fascination. Percy, looking over her shoulder, read her words carefully. He even went so far as to annotate the manuscript, creating a text that shows a literary and intimate dialogue between lovers that emerges through the pages. Their handwriting is so similar that it is not always possible to discern between what Percy may have jotted in the margins and what Mary may have edited herself. We can observe, however, the revisions to the rhythm and meter, Mary seemingly taking particular care to avoid repetitions to her text. It could be partly thanks to Percy that Mary’s style became clearer, gradually allowing Victor Frankenstein’s monstrous creation to take on a more human face and body.

Published in 1818, Frankenstein; or, The Modern Prometheus was an instant success. Nevertheless, Mary Shelley reworked it for the version that appeared in 1831. Despite the further novels, poems and travel writing she published during her lifetime, Frankenstein remains indisputably Mary Shelley’s major work.

Daughter of feminist philosopher Mary Wollstonecraft and political writer William Godwin, the novel reflects Mary Shelley’s characteristic independence, evident in her decision to devote herself to her writing and to her husband, who died early in a freak accident. It also reflects the many personal tragedies experienced by Shelley, whose existence was marked from childhood by a series of bereavements of those close to her.

le manuscrit original de Frankenstein de Mary Shelley - livre ouvert

A preface by Maxime Chattam

Maxime Chattam has indisputably become one of the masters of the thriller novel in recent years. Raised on American and Anglo-Saxon culture and inspired by fantasy and suspense literature, he studied criminology and began his literary career in France with the novel L’Âme du mal (The Soul of Evil) (Éditions Michel Lafon, 2002). He is also author of a successful series for teenagers, Autre-Monde (Another World) (Albin Michel, 2008-2018).

Maxime Chattam is a member of the artist collective La Ligue de l'Imaginaire (League of the Imagination). Mary Shelley’s Frankenstein and Guy de Maupassant’s Le Horla are among the texts that have helped shape the imaginary world of his writing.

extrait du manuscrit de Frankenstein

A facsimile of Mary Shelley’s manuscript of “Frankenstein,” written when she was just 18, will be published in March by SP Books here to mark the bicentennial of the novel’s publication in 1818. The draft version, written in two large notebooks, is full of annotations by both Mary Shelley and her future husband, Percy Shelley, showing his corrections to her spelling (“enigmatic o you pretty Pecksie!” he wrote next to her “igmmatic”) and suggested changes to vocabulary. (...)

What’s really moving about this manuscript is that you can see the literary work mixed with something tender and emotional – literature and love inside the pages of the manuscript. Their two handwritings are very similar, which is bizarre and sweet at the same time.” (...)

To commemorate the bicentennial of the publication of Mary Shelley's Frankenstein, SP Books in Paris has published a limited edition, luxury facsimile of the original manuscript. For Shelley collectors, that manuscript contains some interesting insights into the development of Shelley's story (...)

There is understandably a burst of activity surrounding the book’s 200th anniversary. The original, 1818 edition has been reissued, as paperback by Penguin Classics. There’s a beautifully illustrated hardcover, “The New Annotated Frankenstein” (Liveright) and a spectacular limited edition luxury facsimile by SP Books of the original manuscript in Shelley's own handwriting based on her notebooks. (...)

To mark the bicentennial of the publication of Mary Shelley's classic novel "Frankenstein," an independent publishing house is releasing a manuscript that comes from Shelley's original handwritten notebooks. (...)

In honor of the two hundredth anniversary of its publication, SP Books has put together a facsimile of Shelley’s original manuscript. The pages are in Shelley’s own handwriting, and each is riddled with corrections, annotations, and messages for her husband, who also served as her reader. (...)

La plume de Mary Shelley ne tremble pas, l’écriture penchée à droite, indique une romancière déterminée. Elle veut finir son histoire, et même épater la bonne petite société! La calligraphie montre cette excitation à gagner leur fameux concours plus que les nuits glacées par la tempête (...)

If you consider yourself to be a book-lover, then you probably already know the story behind author Mary Shelley's most famous novel: according to legend, the Modern Prometheus was an idea born out of a friendly ghost story writing challenge put forth by Lord Byron during a group vacation at Lake Geneva. Now, you can actually see the genesis of the classic character yourself, because a limited run of Frankenstein's original manuscript is being released this March, and it reveals a lot about the creation of Shelley's iconic monster. (...)

The notebooks also reveal the evolution of Shelley’s famous monster as the author changed and revised her story and characters: Initially referred to as a “creature,” the monster later becomes known as a “being” with human emotion. (...)

Shelley’s manuscripts give a glimpse into the author’s creative process as well as personal insight into the playful relationship between Mary and her husband, fellow author Percy Shelley who wrote notes back and forth to one another in the story annotations and edits. (...)

Customer reviews

Brandy Anderson

I just received my copy of 'Frankenstein' and I am so love with the edition. The book is gorgeous, well-made, and it lights up my Shelleyan heart. I cannot recommend this book, or SP books enough. They have been very pleasant to order from, they've been prompt in customer service, and their product is beyond compare. I'm very pleased!!!

Megan G

Very beautiful.